It's an absolute leap into some kind of trembling void – whatever you manage to conjure up with those fingers of yours. I just know I'm under pressure to make shit heavy enough for my wife to like it. She was listening to Merzbow at 17, so when I put some filthy kick distortion all over the place I can see her eyes smile.
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KM: For my wife, my shit is never heavy enough. She manages the band as well, but she knows what I'm doing, she knows what I'm best at, she just picks up on it straight away. JW: Yeah, it got the seal of approval from Claire. I m excited for people to hear it I haven't played it to anyone apart from my wife, Claire. JW: When he threw that over it was like, 'Fucking hell, Jesus Christ, I've got to get something on here with this geezer'. I just sent one of those to Jason to see if he liked them. There were some rhythms that I wanted to use on the album that none of the other MCs had picked up on.
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Then we didn't really talk about it for a couple of years until around the time of working on Fire and I reached out again.
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KM: We talked pretty soon after about the idea of working together, but then Jason worked with Scorn, Mick Harris's thing, and I thought out of respect to Mick, because we move in similar circles, I'd lay off the idea. Jason Williamson: We had a common interest in artists like Westside Gun. Kevin Martin: The first time we started communicating was on Twitter because I picked up on Jason's love of raw, independent hip hop and we started communicating. Below, they talk exclusively about this new collaboration, what connects them, pleasing and displeasing their wives, Britain, and what might be next. The resulting two tracks have managed to elevate themselves beyond feeling like a guest vocal simply slapped on top of some leftover material as the pair make a riotous but seamless partnership. Broadrick, and King Midas Sound with Roger Robinson and Kiki Hitomi. Outside of The Bug, there's also projects such as Techno Animal (now ZONAL) with Godflesh's Justin K. Williamson has been a collaborator and guest vocalist with many other acts, including The Prodigy, Leftfield, International Teachers Of Pop, Scorn and Snowy, while Martin has been a prolific and varied collaborator for decades, with his work as The Bug often as defined by guest MCs and vocalists as his own distinct musical concoctions. Williamson is in particularly funny and cutting form on 'Stoat': "Fuck your rabbit / 12-bore farmer, bring your drama / I'll fuck them all, I'm dogging 16 car parks in an hour," before his farmland, animal and car park sex explorations soon move, dream-like, into completely new territory and he's targeting 'cosy journalists with no life experience / five stars for a wank record on no-one's lips." What follows is probably one of his most direct rap tracks, as Martin's industrial-tinged beats kick into life and the track unfurls, sitting somewhere between grime and Martin's usual mix of bass bouncing nods to dub and dancehall that buzz and pulse away underneath. The latter comes to life with sharp, tense, seesawing strings as Williamson begins to list animals that he is not: polecat, stoat, rat, ferret.
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'Treetop' is one part of a double single release out on Ninja Tune, which is accompanied by 'Stoat'. However, the partnership with Martin pushes things into new terrain, with the charge, intensity and unpredictability of Martin's beats matching Williamson's lyrical twists and turns. Not for the first time in his lyrics, you'll hear a poison dart "fuck off" delivery in 'Treetop' from Williamson, as everything from overpriced bacon sandwiches to 60-a-day smokers rolls off his tongue with his unmistakable and idiosyncratic delivery. Squelching yet menacing electronics hiss against gargling bass-heavy beats provided by Kevin Martin, as The Bug, in a potent collaboration between the two. Elvis, dapper Darrens, Ibiza Sharons and "men out of control on gear fear" are just some of the characters that appear in 'Treetop', the new collaborative track between The Bug and Sleaford Mods' Jason Williamson, as Williamson leaps from vivid lyric to vivid lyric, much like a chimp swinging from branch to branch in a jungle treetop.